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Awakening the Sacred Stones

4ba8b89d9cb28930cf5b6aa51be057cfLast week I wrote about the ancient mysteries of sound levitation on stone and felt I had barely scratched the surface of this intriguing subject. I went back to delve deeper into the effects of sound on stone and had even more insights. Many of us already know that sound can be used for healing, but the ancients knew one of the biggest secrets of all. Sound = the source of Earth Energy.

The great inventor, Nikola Tesla, once said, “The Earth rings like a bell” convincing him that this “sound of the Earth” was the source of unlimited free energy we could all plug into. I’ve seen a demonstration of sound frequencies boiling water, but no stone was ever used in the process. So it’s only natural to question—how did the ancients use sound on stone?

Strange donut-shaped stones, both large and small, have been found around the world, but more recently in ancient stone circle sites in South Africa. The natives call them sacred stones and every farmer, who is lucky enough to find one, acknowledges the good fortune it bring him.

For centuries no one had any idea what purpose these odd-shaped stones held. It’s been mostly guess-work. The South African government explained that they were probably weights for some type of primitive digging stick. When writerdonut2/researcher, Michael Tellinger, studied these strange stones, he found that if struck or sound is applied they have a resonance that activates a toroidal energy field.

This finding was confirmed after he packed one of the stones in his checked luggage on an international flight. A few minutes before his flight was scheduled to depart, he was instructed over the plane’s PA system to de-plane. On the tarmac he was confronted with machine-gunned soldiers surrounding his suitcase. Apparently, when the airport luggage security device sent sound frequencies through his luggage to scan it for weapons, it disabled the entire TSA surveillance system. The agents made him open the suitcase, where he carefully unwrapped his  African “artifact” to show them it was only a stone. Consequently, he quickly realized that whatever sound frequency they had used to scan the suitcase, had set off a reverberating sound energy field in the stone which pulsed back and crashed their equipment. (Tellinger relates his experience in the short video below.)

No sooner did I learn about these South African sacred stones, then I learned similar roundish stone Untitledartifacts were found in Southern California in the Ballona Wetlands. They exhibit a high quartz content and are believed to be extremely old. Since I cycle past the Ballona area every weekend, this caught my attention. This area is just south of a small portion of the coastward interface of the Tongva and Chumash Indian territories. The ancestors of the Chumash arrived in this area somewhere between 12,000 and 27,000 years ago. They taught their descendants that “within ancient stones lies the memory of the past and the knowledge of the future.”  The Chumash talked about “awakening” the stones through ceremonies, yet how this was done remains a mystery. 

The Ballona Wetlands researchers found that these odd stones have perforated interior walls, noticeably concave and symmetrical. There is a higher degree of polish on interior walls versus any exterior surface of the artifact. They came to conclude that a very patient artisan had crafted the contours that define a truncated, spherical void. It was also noted that the lapidary skill exceeded anything they had previously seen. Nature did not create the specific shape of these stones, man had done so for some purpose important enough to take great care in the workmanship. I wondered if the stones all had different frequencies when struck or if they were all tuned to the same ringing tone.  If they are tuned to higher frequencies, the human ear wouldn’t be able to hear it,

The toroid shape of these ancient stones is what is most significant. A toroid functions as an energytorsionanimated coil that stabilizes an accumulation of cycling frequencies. It starts as a simple pattern of rotating energy into which other frequencies are introduced and incorporated, gradually making a full, complex and integral cycle. This cycle of geometric “spin” which spins out the top to the bottom in clockwise and counter-clockwise rotation, generates electromagnetic and gravitational waves both horizontally and vertically. Spin is a fundamental principle in all movement in the universe.

Spin dynamics can activate a vertical beam of energy straight up to the sky. This might explain the strange beams of energy that have been randomly photographed emerging from the top of the Great Pyramid of Giza and the Bosnian Pyramid in Serbia. Something is being activated and scientists have not been able to explain what causes it.  Can this vertical energy beam create gravitational/levitational lift? Is it also opening a vortex portal? All intriguing questions, with no easy answers.

The human aura also exists within a toroidal field. Although the torus shape of the aura has a boundary, it sits in the universal life energy field, which is unlimited, or infinite. This energy connects us all, at all times, with everything else in the universe. In time we will figure it all out and reclaim what was once known, but lost.  Re-connecting us all with universal consciousness to heal ourselves and this planet is, afterall, our inherent destiny.

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Dr. Kathy Forti is a clinical psychologist, inventor of the Trinfinity8 technology, and author of the book, Fractals of God: A Psychologist’s Near-Death Experience and Journeys Into the Mystical

Ancient Mysteries of Sound Levitation

levitationmagneticThe mysteries and numerous capabilities of sound have intrigued mankind for millenniums. Einstein thought nothing was faster than the speed of light. But in 2007 a team of US physicists discovered that “superluminal acoustic sound waves” can actually out-perform light in speed and velocity under certain conditions. With that finding, the potential for sound-based technology became even more apparent.

In 2014 a Japanese team of scientists from the University of Tokyo used sound to levitate objects as big as a small screw in mid-air, moving them not just up and down but also to-and-fro and side-to-side. They used an array of four audio speakers, generating inaudible high frequencies sound waves that intersect inside a confined space. The crossover of these intersecting waves creates “standing” waves. Some standing waves are kept in constant position, serving as a suspending force, while other waves are used to support a floating object within the standing waves (see VIDEO below).

Unfortunately, science has still not been able to figure out how to levitate larger heavier objects. Yet, history suggests the Ancient Egyptians might have already cracked this secret in their building of the pyramids and other megalithic monuments. Did they have some advanced form of sound levitation to move thousand ton stones—a task that present day builders admit would be difficult even with the use of modern cranes?

I found an interesting account of sound levitation in the book The Lost Technique by Swedish civil engineer, Henry Kjellson.  Kjellson recounts the experience his friend, a Dr. Jarl, had while staying at a Tibetan monastery in the 1930’s.

In the middle of the meadow, about 250 meters from the cliff, was a polished slab of rock with a bowl like cavity in the center. The bowl had a diameter of one meter and a depth of 15 centimeters. A block of stone was maneuvered into this cavity by Yak oxen. The block was one meter wide and one and one half meters long. Then 19 musical instruments were set in an arc of 90 degrees at a distance of 63 meters from the stone slab.  The radius of 63 meters was measured out accurately. The musical instruments consisted of 13 drums and 6 trumpets (Ragdons).

tibetan_levitationEight drums had a cross-section of one meter, and a length of one and one half meters. Four drums were medium size with a cross-section of 0.7 meter and a length of one meter. The only small drum had a cross-section of 0.2 meters and a length of 0.3 meters. All the trumpets were the same size. They had a length of 3.12 meters and an opening of 0.3 meters. The big drums and all the trumpets were fixed on mounts which could be adjusted with staffs in the direction of the slab of stone.

The big drums were made of 1mm thick sheet iron, and had a weight of 150kg. They were built in five sections. All the drums were open at one end, while the other end had a bottom of metal, on which the monks beat with big leather clubs. Behind each instrument was a row of monks.

When the stone was in position the monk behind the small drum gave a signal to start the concert. The small drum had a very sharp sound, and could be heard even with the other instruments making a terrible din. All the monks were singing and chanting a prayer, slowly increasing the tempo of this unbelievable noise. During the first four minutes nothing happened, then as the speed of the drumming, and the noise, increased, the big stone block started to rock and sway, and suddenly it took off into the air with an increasing speed in the direction of the platform in front of the cave hole 250 meters high. After three minutes of ascent it landed on the platform.

Continuously they brought new blocks to the meadow, and the monks using this method, transported 5 to 6 blocks per hour on a parabolic flight track approximately 500 meters long and 250 meters high. From time to time a stone split, and the monks moved the split stones away.”

This account is quite incredible. It reminds me of the biblical stories of “trumpets” bringing down the walls of Jericho. Nikola Tesla also talked about experiments he made with acoustic sound waves which started an earthquake in the building of his New York City laboratory. He recounted how the beams in the building started to shake as if their molecular structure was being affected.  No doubt about it—sound is very powerful.  But, does it have the ability to neutralize gravity?

What caught my attention in the Tibetan account, was the mention of using a large size stone bowl (underlined). Similar stone basins (actually quartz) have been found scattered around the pyramids of Egypt and I remembering seeing one on my last trip there in December 2014. While their purpose remains a mystery to modern-day Egyptologists, the theory is that they were used for blood collection during ritual sacrifices. This is a weak hypothesis since no trace residues of blood have been found on any of the stone basins. This explanation is further discounted by the fact that each basin has three holes that are located near the upper rim of the basin, not at the bottom. These holes were not designed to let out blood from animals placed in the huge basins. If so there would be an obvious drain hole at the bottom.  So what or how were these curious quartz basins used? The clue is that they were made of quartz, which creates piezoelectric charge—especially when under pressure or sound is applied.

Author and researcher, Dr. Alex Putney, explains his take on the bowls in human-resonance.org:

“The huge quartz basins have a borehole centered on each of the four sides of the squarelevitation bases of the instruments, while the comparable limestone examples display three machine-drilled holes on just one side of the square blocks.  The diameters of the bowls appear to be uniform, suggesting they were part of a large array that once surrounded the pyramids before being collected in groups by Egyptian authorities for present-day public display.

levitation2The identical dimensions and curvature of the many stone basins, with perfectly rendered geometric forms, gives the appearance of having been serially manufactured through mold-making processes rather than being quarried and carved in a solid state. Abundant evidence of this fact has been ignored for close to 30 years by much of the academic community, despite publication in scientific journals. The geopolymer research of Dr. Jacob Davidovits documents the lower density of the limestone blocks of the Great Pyramid, showing them to have been synthetically cast using a concrete-like slurry composed quite differently than all naturally sedimented limestone. The pyramid’s massive limestone blocks contain an exotic admixture of opal CT, hydroxy-apatite and silico-aluminates that enhance the limestone’s natural capacity to convert all atmospheric acoustic energy into an electrical current within the crystals, inducing a strong electromagnetic field around the pyramid structures and within their passages and chambers.

The modular nature of the blocks suggests they were distributed around the pyramids aslevitation3 part of the original walled enclosure that once surrounded each of the three pyramids on the Giza plateau.

The specific and exclusive use of piezoelectric calcite and quartz crystals for the construction of the pyramids themselves, and the large basins that once surrounded them in great numbers, relates to their transducive capacity to focus and amplify acoustic waves. Mechanical flexing occurs in the quartz and calcite crystals as a uniform structural deformation that generates standing waves within the stones’ crystalline lattice, eventually building a strong electromagnetic field that allows acoustic levitation.”

Coral_Castle 1A similar mystery surrounds the building of the infamous coral castle in Florida in the U.S. The coral castle is a stone structure that was built by one man without any help. The Latvian American, Edward Leedskalnin, said that he had discovered the techniques that Egyptians used to build the pyramids—techniques related to levitation and anti-gravity technologies.

He also used a bowl-like device (see picture) with magnetic spokes. He never revealed what the round device was, nor his building secrets. coralcastleIt took him 28 years to build the castle from about 1923 to 1951 and he refused to allow anyone to view him while he worked. He built the castle completely on his own carving more than 1,000 tons of rock. He was known to work at night, yet neighbors reported they never heard any construction noise. If he used sonic levitation methods, the sound waves used were inaudible to humans.

Arab historian, Abul Hasan Ali Al-Masudi, has written about  Ancient Egyptians using  a metal rod to strike stone, causing stone to levitate. The stones would move along a fenced path that was lined with metal poles on both sides of the path. The metal poles created vibrating frequencies in such a way that they would provide a moving runway for the stones. I have no idea how Al-Masudi arrived at this conclusion, or whether it is true or not, but the use of the “metal rod” is interesting.

setstaff_aussmdThe Ancient Egyptian hieroglyphics often display a metal rod called a Was Scepter. Only the gods, pharaohs, and priests were allowed to carry such a sacred instrument. It symbolized “power and dominion.” The bottom looks suspiciously like a tuning fork which might have had some magnetic properties. The head of the scepter resembles a pteranodon, the largest “flying” reptile that ever existed.  Was it in honor of the flying gods who could easily carry aloft large objects?  This would explain why only the powerful few could carry it.  It might have been used to strike up an earth resonance which somehow defied gravitational forces.  The whole science of gravity and anti-gravity has yet to be fully understood.  And I’m sure the Ancients kept this knowledge in guarded hands.

Time unlocks all mysteries.  I think we are getting closer to re-discovering the answers to this lost science.  Just imagine the possibilities when we, too, can briefly release large stones from the confines of gravity.  Yep—we could literally move mountains.

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Dr. Kathy Forti is a clinical psychologist, inventor of the Trinfinity8 technology, and author of the book, Fractals of God: A Psychologist’s Near-Death Experience and Journeys Into the Mystical